Prof. Acquah, Emmanuel Obed
+233502260039 | |
eoacquah@uew.edu.gh |
Acquah E.O. Annan J.F. & Sackey, G. (2022). The Africanism in two selected works of C.W.K Mereku: A formalistic viewpoint. European Journal of Humanities and Social Sciences, 2(3), 83-94.
Acquah, E.O., Ayesu, S.N. & Annan, J.F. (2022). Harmonic or non-harmonic? A formal and scientific analysis of three musical tones in Petzold’s “Minuet in G”. International Journal of Research and Innovation in Social Science (IJRISS), 6(7), 752-763.
Sackey, G., Annan, J.F. & Acquah, E.O. (2022). The compositional thought in Godfred Sackey’s Ebiawonkasama. Journal of Advance Research in Humanities and Social Science, 10(6), 1851-1867.
Annan, J. F., Acquah, E.O. & Sackey, G. (2022). Analytical quest of four selected harmonized chorales of Johann Sabastian Bach. International Journal of Education, Humanities and Social Science, 5(4), 1-19.
Acquah, E.O. (2022). Bibliographic and discographic inquiries in music composition. Journal of Humanities, Music and Dance, 2(5), 4-12.
Acquah, E.O. & Adenyoh, C.K. (2022). Analysis of policy documents syllabi in PE/Music. CoDeL, University of Education, Winneba, Winneba.
Acquah, E.O. & Sackey, G. (2021, September 23-24). Appreciating the Africanism in two selected works of C.W.K Mereku: Ghanamanmma and Atentenata [Paper presentation]. SASRIM 15th Annual Conference - Virtual, Summerstrand, Gqberha - Nelson Mandela University, Eastern Cape province
Acquah, E.O. & Ayesu. S.N. (2021, September 23-24). Ghanaian Highlife music production: Are digital recording technologies helpful or harmful? [Paper presentation]. SASRIM 15th Annual Conference - Virtual, Summerstrand, Gqberha - Nelson Mandela University, Eastern Cape province
Conduah, B. & Acquah, E.O. (2021). Playsongs in kindergarten curriculum in Sefwi Wiawso municipality. International Journal of Research and Innovation in Social Science, 5(1), 515-524.
Acquah, E.O. & Sackey, G. (2021). The organization of melodies in Ebibindwom: A case of Jehovah Nissi Awoyow Garden, Winneba. African Journal of Culture, History, Religion and Traditions,, 3(1), 13-28. https://abjournals.org/ajchrt/jr-paper_issue
Acquah, E.O. & Acquah-Nunoo, M. O. (2021). The state of royalties in the music industry in Ghana. Quantum Journal of Social Sciences and Humanities, 2(2), 65-73. DOI: https://doi.org/10.55197/qjssh.v2i2.67
Acquah, E.O. & Adjei, E.A. (2021). Geographies of Gomoa Fetteh Ahobaa festival: origin, musical performance and socio-cultural impact. African Journal of Culture, History, Religion and Traditions, 3(1), 1-12. https://abjournals.org/ajchrt/jr-paper_issue/3
Acquah, E.O. & Ayesu, S.N. (2021). Asanka compositional model: an aid to computer assisted guitar-band highlife music composition with “battery 4” virtual studio technology instrument. Journal of Advanced Research and Multidisciplinary Studies, 1(1), 1-12. https://abjournals.org/jarms/papers/volume-1/is...
Acquah, E.O. & Kwofie, F.D. (2021). The challenges of preparing students for music practical performance test at the Senior High schools in the Central Region of Ghana. International Journal of Education, Humanities and Social Science, 4(2), 133-146.
Owusu-Ansah, J. & Acquah, E.O. (2021). The creation of Abelengro: A cross-cultural art music composition. Journal of Advanced Research and Multidisciplinary Studies, 1(1), 13-25. DOI: https://doi.org/10.52589/JARMS-MZFLGSSM